Ce qui rend le Celtic musique celtique ? Pourquoi ne vous juste ouvrir un livre d'airs celtiques et être confiant que vous jouez en réalité dans un style celtique ? Il existe de nombreuses nuances fines de technique qui en font un monde de différence entre un harper jouant Celtic tunes et leur un harper celtique. Ce DVD couvre les harmoniques traditionnels, voicings accords, arrangements, ornements, rythmes et beaucoup more?techniques qui ont été transmises de génération en génération de musiciens. Vous apprendrez également comment ajouter une touche contemporaine sans gâcher la sensation de la musique. Bienvenue dans le monde du style celtique. / Harpe (Folk Ou Celtique) / 72 pages / niveau : Intermédiaire / Dvd - Format: 7,5 X 5,25

Arranged For Celtic Harp-Celtic harpist and vocalist Kim Robertson has redefined the rich traditions of the harp with her innovative style. Combining cutting-edge artistry and a passionate sense of tradition she brings a contemporary touch to acenturies-old instrument. This collection presents 18 Scottish melodies arranged for solo Celtic harp with lyrics included. The selections include one piece in the key of F which will require retuning the B strings to B-flat.

Par STAR EDWARDS. Evoquent la traditionnelle des terres de sons de la celtique avec ces dispositions instrumentales des chansons pour harpe celtique. Ces 25 airs sont Manx, gallois, irlandais, écossais, Cornish, Hébrides et Bretton, y compris les pièces par Turlough O'Carolan et Robert Burns. Notes à la fin du livre donnent un aperçu de la signification des textes des chansons, aidant l'interprétation et vous invite à découvrir l'ambiance de la celtique des terres par le biais de leur musique. Paroles de chansons choisies sont donnés dans les notes en anglais. / Niveau : Débutant / Celtic/Irish - Solos / Recueil / Harpe Folk ou Celtique

Par MC MICHAEL LESLIE. Cet ouvrage se veut une introduction à un style de musique qui a une longue et noble histoire qui est inextricable lié avec celui de la harpe antique. Les airs contenues dans cet ouvrage ont été choisis pour leur jouabilité sur la harpe folk ainsi que pour faciliter la séparation en catégories de compétences. / Niveau : Intermédiaire / Celtic/Irish - Solos / Recueil / Harpe Folk ou Celtique

Par ROBERTSON KIM. Arrangements celtiques de quarante-six pour folk harpe solo. Comprend les aveugle Mary - Berceuse (extrait), Air de Martin Wynnd - Blackberry Blossom - Give Me Your Hand - lune sur the Rising Castle - et plus encore ! / Niveau : Tous Niveaux / All Styles - Solos / Recueil / Harpe Folk ou Celtique

Arrangement: Doyle Dennis. Par DOYLE DENNIS. À l'exception de deux morceaux, les arrangements dans ce livre des airs traditionnels sont adaptés provenant des collections de Francis o ' Neill, de Edward Bunting, de Donal o ' Sullivan, de Manus O'Baoill et de Sean Og O'Baoill. Notes de performance sont inclus. Notation standard. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Harpe Folk ou Celtique

Par MEGEVAND DENISE. As a student of famous harpist Lily Laskine, Denise Megevand (1917-2004) received high quality musical education and was significantly instrumental in the revival of the Celtic Harp. She compiled numerous, prolific books for the instrument, Play and Learn the Celtic Harp being no exception. The Celtic Harp characteristically has metal strings, and is notoriously challenging to play. However, Megevand 's Play and Learn the Celtic Harp provides excellent and clear instruction to progression on the instrument. The book addresses general principles of the Celtic Harp, intervals, arpeggios, chords and scales, as well as including 13 pieces. For all aspiring players of the Celtic Harp, Megevand 's Play and Learn the Celtic Harp provides excellent insight and instruction for beginners./ Méthode / Harpe

Before the 1700s Celtic music was kept alive through the long oral tradition of learning and memorizing tunes without the aid of pen and paper. This collection by Star Edwards features pieces found inhistorical collections dating from the late 1700s and 1800s. These fresh vibrant melodies connect us to our ancestors' desire to capture the distinctive qualities of native traditional music. Suitable for advanced beginnersto intermediate level Harp players the Celtic Harp Anthology is a compilation from twenty-one collections that were the proud work of spirited countrymen and women. Within these pages you will find the strainsof music that filled gleaming white-thatched homes with joy and boundless energy. Connect with the heart and soul of a timeless culture and experience the music that eased the hardships of living.  This book isdesigned for use with lever folk Harps (or pedal Harps) that have thirty-three strings or less with G (one and a half octaves below middle C) as their lowest note in the keys of F C G D and A. The tunes are appropriate fornylon or wire-strung Harps and two songs require lever flips.

Arranged For Celtic Harp.. Par ROBERTSON KIM. Harpiste celtique et le chanteur Kim Robertson a redéfini les riches traditions de la harpe avec son style novateur. Combinant l'avant-garde artistique et un sens passionné de la tradition, elle apporte une touche contemporaine à un instrument de vieille de plusieurs siècles. Cette collection présente 18 mélodies écossais arrangés pour solo Celtic harpe avec des paroles inclus. Les sélections comprennent une pièce dans la clé de fa, qui exigera il faut relancer les chaînes b de si bémol. / Niveau : Débutant à Intermédiaire / Scottish - Solos / Recueil / Harpe Folk ou Celtique

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

This is the second part of the tutor for the celtic harp. Nowadays we prefer to call it the non-pedal harp because of its much larger range of models and possibilities. This album has the intention of helping harpists tounderstand and to elaborate upon old music symbols and ornamentations. Several special techniques possible on the non-pedal harp are given attention. Enjoy yourself!

The composer writes: 'My approach to writing these works for intermediate level lever harp was to fully embrace the diatonic and/or modal properties of the lever harp and to write into the strengths of the instrument. I also wanted to create works which whilst embedded in stylistically familiar territory also open up less familiar technical and musical elements for new players. For example the ???celtic??? themed works Coire Fhionn Lochan and The Road to Kilchurn Castle are derived from very familiar elements but which challenge the players ability to deal with irregular times and juxtaposed rhythmic material and Reverie which tests the harpists ability to maintain evennesswhile controlling gradual changes of tempo and dynamic within a very familiar technical landscape. One of the other important things was to write works specifically for the lever harp (as opposed to pedal harp) especially given that so much lever harp repertoire consists of arrangements or re-arranged pedal harp music. The lever system offers many advantages over the pedal system including the opportunity to employ chromatic possibilities that would otherwise be impossible. So some of these works indulge and celebrate these idiosyncrasies. I hope you will enjoy playing them as much as I enjoyed writing them.'

Kim Robertson is one of America's premier Celtic Harp soloists. Her technique and range of expression are extraordinary as illustrated in this book containing the selections from her highly acclaimed CDTreasures Of The Celtic Harp. This book contains all of the selections from Kim Robertson's 'Treasures Of The Celtic Harp' except 'Sailor's Hornpipe'. Includes access to theonline performance video.